Imagery in the Poems by Thomas Eliot, Emily Dickinson, Wendy Cope and Robert Frost
The component of imagery is relative, but not similar to the components of emotion, expressiveness, and estimation. Such attitude towards imagery arises primarily from the belief that this component is not associated with the display of any real phenomena of objective or subjective. Imagery is rather a special way of presenting information, which contains implicit comparison that animates our understanding of certain phenomena. The paper analyzes imagery in the poems by Thomas Eliot, Emily Dickinson, Wendy Cope, and Robert Frost depicting that the collection of single material and abstract things like city, nature and daily objects converts into new deep meanings of sophisticated world.
Imagery: General Aspects
Currently, linguists and literary critics pay much attention to the role of emotional vocabulary in the structure of the text, so the text becomes functional in many ways. The aesthetic function of the text influences a number of other functions such as communicative, expressive, pragmatic, and emotional; however, it empowers, but not replaces them. The language of the text lives by its own canons that are different from natural languages ones. Nevertheless, the text always has special mechanisms of generating the interpretation of artistic meanings. The imagery is a linguistic implementation of the sensory associations that forms the basis for the name of certain elements of reality. It has different levels of severity and combines the inner form of the word. According to the hermeneutics, the text has different spaces, two of which are the level of the character and the level of the author. It means that interpretation and evaluation of the reality are promoted exceptionally from the authors outlook, and the character is usually indistinguishable from the author. The imagery means the presence of united tokens with figurative meaning that exist within the language phrase and have the bright effect based on metaphorical associations.
Thomas Eliot is the author whose refusal to obey criticism continues provoking an interest in his art worldwide. For example, when reading the poem The Winter Evening Settles Down, the first thing appears in mind is that the author depicts the imagery of London. Moreover, one can reveal that authors favorite part of the day is an evening as it starts and finishes the cycle. As evidence, there are few key phrases about that: The winter evening settles down / With smell of steaks in passageways. And evening newspapers, and eyes / Assured of certain certainties (Eliot 13). At the same time, the imagery in the poetry by Emily Dickinson is full of simple daily things: season changes, birds, and flowers. Those elements of reality become a precondition for deeper diving into the inner world of the lyrical I am, which is full of sadness and anxiety. Specifically, Dickinsons character has the inner conflict between belief in personal god and fear of empty space, the uncompromised contradiction between joy and desire for salvation. Such conflicts are the reason for the frequent use of antithesis, irony, and paradox in the poetry.
The poetry by Wendy Cope can be divided into two groups: humor and serious love poems. Copes imagery regularly reflects laughing through tears: characters are smiling despite their passing experience of loneliness within the stormy life of London. Scrutinizing the imagery of the authors poetry, one can clearly notice life experience and particular despair while searching for true love. Lastly, it is necessary to mention the maturity of characters outlook: in the poems, one will never find any youngster views to follow the growth of Cope as a woman and a writer. Such a maturity can be easily explained by Copes late entrance to the world of poetry.
The main peculiarity of Robert Frosts poetic manner is his multi-layered philosophical interpretation of daily episodes. Continuing the tradition of Brownings dramatic monolog, Frost falls into the circulation of poetic dialogues, filled with conversational tone and subtle psychology. During the authors entire career, the outside canvas of his poems remains rural realities of New England. In his interpretation, country people and their daily routine deserve close attention as they have deep philosophical connotations. Significantly, the imagery of Frosts poetry turns around the theme of mans relationship with the eternal nature. Within the poets outlook, nature is incomprehensible to a man and frequently hides inherent threat. Hence, the results of human activity become lost in the immensity and the meaninglessness of the world.
Eliots poem The Winter Evening Settles Down continues the topic of writers poem Preludes. At the beginning, the narrator provokes the reader with the receptions of smell and vision. The imageries of steak and burnt-out evening, smoky day and gusty shower (Eliot 13) expose unpleasant day in the city with the subtle hint of discomfort. Litter, which is one of Eliots favorite imageries is represented as vacant lots (Eliot 13) a symbol of abandonment. An alliterated imagery of broken blinds along with chimney pots (Eliot 14) reminds sound of the drops falling on the surface. Later, Eliot leaves wet and dark streets and takes the reader to the lights. After awakening, the author repeats provoking unpleasant smell of morning in a dirty city: stale beer, the traces of muddy footprints, and the sawdust (434). The imagery of masquerade (434) makes time an illusion as doing same things every day makes life motionless and inert. Afterward, the narrator speaks about night insomnia of seedy souls: peoples thoughts are sordid and awake their worst exactly at night. The imagery of fingers stuffing a pipe and the eyes (certain certainties) (Eliot 14) represents the daily routine with usual procedures people do. In the end of the poem, the author stops being aside and becomes one person with the narrator.
In my opinion, the poem by Emily Dickinson My Life Has Stood as a Loaded Gun represents the female power, occasionally transforming into aggression, which embodies in the trip of the character and her Owner. A special attention take capitalized nouns that are particularly personalized or so strongly connected with the writer that seem a part of her being. In the first stanza, there is the definition of time and place, which are Day and Corner, and the image of Owner (Dickinson 451). Later, the Owner becomes the Master, and one might notice dedication of this character to Dickinsons real life friend. At first view, she identifies herself in tandem with Master, calling this connection We (Dickinson 451). The Sovereign Woods and hunting the Doe (Dickinson 451) defines the characters ability to fight all fears and win. An additional image is the Vesuvian Face (Dickinson 451), which is the analog to one of the most powerful volcanoes whose awakening can destroy half of Italy.
The image of Eider-Duck (Dickinson 451) in the poem may seem ridiculous at first, but in reality, this species of ducks is the only one that makes a nest by pulling out own feathers. The expression Deep Pillow (Dickinson 451) means that the duck took many own feathers, which is the waste of resources and brainless habit. A Yellow Eye (Dickinson 451) refers to the imagery of gun or the eye of evil as it has many common features with both objects. Thumbing (nose) is a well-known sign of aggression and in combination with Yellow Eye, it explodes a horror of foes. In the last stanza, one can find obvious paraphrase making it tricky and uncertain in meaning. However, the poems summary clearly shows that the power to kill guarantees immortality (means evil leaves life).
- 300 words/page
- Papers written from scratch
- Relevant and up-to-date sources
- Fully referenced materials
- Attractive discount system
- Strict confidentiality
- 24/7 customer support
The poem Lonely Hearts by Wendy Cope, the narrator is despair in his search of soul mate in the jungles of the big city. The images of biker, vegetarian, bisexual woman, arty, young, Jewish lady, Libran (Cope 43) simultaneously show the struggle of love and fear of other peoples criticism about this struggle. In the center of the poem the reader finds North London and the phrase Is it you? (Cope 43) which repeats as epiphora in four stanzas showing how important is to find someone close. In his despair, the narrator would not refuse to change sexual orientation or religion because the biggest terrifying consequence of societys judgment is yet being alone.
The poem by Robert Frost Fire and Ice remarks an eternal question about the fate of the world and reflections about possible worlds destruction by fire or ice. The author induces narrator to say how he sees the end of the world. In turn, the narrator sees the equal power of destruction in ice and fire but believes that apocalyptical ending will come with passion and desire, which are the emotions of fire. My view is that the first two lines exist in the form of the dichotomy between fire and ice, and each of them has the same group of people existing inside. The imagery of people is seen in pronoun some (Frost 220) with no accent on individuality, and the contradiction between these elements is a universal truth. The world (Frost 220) can be understood not only as the universe but also as a human relationship: too much cold can freeze it whereas overdose of passion can burn peoples proximity. Finally, the equality between fire and ice clearly underlines that there are no other options about things destroying the world because of the worlds fate.
There are few levels of the poetry that can be accepted in straight and opposite meanings. Consider the imagery, it is extremely interesting by its free meanings. The context can be understood in combination with various symbols that the writer chose in addition to his personal typical object. The meanings in poetry by Thomas Eliot, Emily Dickinson, Wendy Cope, and Robert Frost demonstrate vast luggage of fantasy and understanding of how the life turns around simple daily things. Lastly, the poems central imagery such as nature, city, and daily objects in combination with abstract feelings establish integrated outlook on the reality.
Your paper is uploaded to your account and you get a copy delivered by email.
Wide range of services
Your get wide range of high quality services from our professional team.
All papers are written from scratch up to your instructions
No personal data is ever disclosed to any third parties.
Any paper ordered will be delivered strictly according to the deadline.
All our customer are totally satisfied with their orders.
All papers you order are plagiarism free.
24/7 customer support
Our Support Representatives are at your service 24/7 365 days a year.
Each customer has 48 hours after deadline expires to get paper revised.